Homework
1. Purchase supplies
2. Complete steps 1 - 3 of your Accordion Zine Chronology project (below)
3. Email Jessica the link to your personal portfolio blog: CannonJ@newschool.edu
Supplies to Bring
1. Camera
2. Sketchbook
3. Something to Sketch w/
4. Scrap Paper
5. Tape
6. Scissors
7. Xacto Knife
8. Cutting Mat (if you have one)
9. Comfortable shoes for walking + a $10 MetroCard just in case
Saturday, September 28, 2013
Homework + Supplies for Sat. 10.5
Friday, September 27, 2013
Thursday, September 26, 2013
Welcome to Portfolio Development!
Parsons
Pre-College Academy:
Portfolio
Development, Senior Level- PCAC 0801 A1
CRN-2640
Semester:
FALL 2013
Date/Time/Location: September 28 - Dec 14, 2012
Saturday
10:00 am- 12:50pm
2 West
13th, Room 1203
Instructor: Jessica Cannon
cannonj@newschool.edu 917.209.3267
*Class
Blog: portfoliodevelopment2013.blogspot.com
Course
Description
This course will develop the portfolio as an evolving tool for learning and reflection. Through a series of projects around the themes of self and memory you will acquire and improve formal techniques while emphasizing your personal voice. Each project is built from a general framework that can lead to many outcomes depending on your interests and point of view. Parallel to the project-based work will be an ongoing discussion of effective ways to document and present your work within the framework of a portfolio.
This course will develop the portfolio as an evolving tool for learning and reflection. Through a series of projects around the themes of self and memory you will acquire and improve formal techniques while emphasizing your personal voice. Each project is built from a general framework that can lead to many outcomes depending on your interests and point of view. Parallel to the project-based work will be an ongoing discussion of effective ways to document and present your work within the framework of a portfolio.
Catalog
Course Description
Build and organize your portfolio
for college admissions through rigorous assignments and critiques. Learn how to
reproduce your work in digital media, an application requirement at many art
schools. Prerequisite: Senior Drawing, Painting or the equivalent.
Supplies
· Sketchbook
– your choice, at least 6” x 9” or larger
- Drawing paper pad-
14 X 17 in.
- Assorted paper of
your choice (**project-specific
wait until assigned to purchase)
- Pigma Micron Pens, Black (from very fine
.005, .01, .02, for reference see: sakuraofamerica.com/Pen-archival
- Sumi-ink or India ink
- Assorted paint brushes – inexpensive ones,
various sizes and brush types
- Pencils (assorted graphite)
- Eraser (white plastic)
- 2 Illustration Boards: 15” x 20”, White,
Cold Press, Single Thick
- Cutting Mat, 12” x 18” *optional but extremely helpful
- Plastic Jar or Cup (Can be recycled from
plastic bottles, take out containers)
- Color media of your choice: acrylic,
watercolor, gouache, markers, colored pencil, etc.
- 1 Roll Artists Tape, 1/2" thick
- Scissors, 8”, a good sharp pair with sharp
tips
- X-Acto Knife No 1 with at least 3 cutting
blades
- 1 18” cork back metal ruler for cutting
- Large glue stick
- Digital Camera
(at least 8 mp) *optional but
useful
- Flash Drive (at
least 2GB) or CDs / DVDs
- Assorted images
for inspiration / archive
- Any other
materials you enjoy working with
Places to purchase supplies:
-Dick Blick (1-5 Bond St., btw Broadway and Lafayette), www.dickblick.com
-Dick Blick (1-5 Bond St., btw Broadway and Lafayette), www.dickblick.com
-Utrecht (111 4th Ave and 12th
street OR 237 W. 23rd street)
-New York Central (62 3rd Ave
and 11th St.) www.nycentralart.com
-Pearl Paint (308 Canal at
Broadway) www.pearlpaint.com
-A.I.Friedman (44 W. 18th St.
btw. 5th and 6th) www.aifriedman.com
-Sam Flax (12 W. 20th btw 5th
and 6th) www.samflax.com
Learning Outcomes
By the end of this course,
you will:
1. Develop a detailed concept through the media of
your choice
2. Work in class and independently to generate
ideas and then follow through on executing those ideas
3. Improve fluency in formal art and design
language
4. Respond to and formulate
criticism for historical, contemporary, and peer work.
5. Understand how to document
you work digitally and present it a thoughtful and considered way.
Learning Activities
1. Self-Generated Assignments –
Working with your instructor you will develop a concept or theme to explore
through several projects.
2. Formal Challenges –Students will explore the relationship of art
principals in problem-solving exercises.
3. Homework – Students will have
weekly homework to expand on expand on class work and further develop projects.
4. Group Critiques- Students will engage in constructive critiques,
observing and talking about each other’s work, hearing and using constructive
criticism.
5. Final Project and Presentation
– Students will take part in a final exhibition showcasing their work.
They will learn digital documentation skills, presentation skills, and how to
shape a thoughtful conversation about their work.
Week
|
Date
|
Topic
|
Assignment
|
Week
1
|
9/28/13
|
Introduction to Course +
Portfolio
Accordion Zine Chronology |
In
Class: Set up blogs
Begin drafting a chronology in the sketchbook
HW: Gather images and write copy
for AZC
|
Week
2
|
10/5/13
|
Accordion Zine Chronology
|
In Class: Review images and ideas for
content.
Field Trip: Printed Matter – Gather inspiration for form that AZC will take
HW: Post 3 images of your process
so far to your blog (due 10/12).
Create
3 quick studies that explore possible forms that your AZC might take.
|
Week
3
|
10/12/13
|
Portfolio Event at MAD Museum
10am – 4pm*** |
In Class: Participate in discussions
and workshops geared at improving your admissions portfolio
HW: Work on content for AZC. Come to class on 10/19 with AZC 50% completed. |
Week
4
|
10/19/13
|
Accordion Zine Chronology
|
In Class: Work to complete AZCs
HW: Complete AZCs. Draft 5-7
sentence project statement that describes your piece.
|
Week
5
|
10/26/13
|
Review / Memory Accessory
|
In Class: Review finished pieces.
Choose a memory that you’d like to explore further through design. Begin work
on an inspiration board related to the memory.
HW: Complete inspiration board
and concept sketches that explore possible forms for the Memory Accessory
|
Week
6
|
11/2/13
|
Memory Accessory
|
In Class: Visit NY Central to view /
purchase paper for final MA. Complete 3 materials studies exploring the
possibilities and limitations of paper. Develop editorial concept ahead of MA
photoshoot on 11/9.
HW: Complete Memory Accessory.
Draft 5-7 sentence project statement that describes your piece.
|
Week
7
|
11/9/13
|
Memory Accessory
|
In Class: Review Memory Accessories
MA Photoshoots Homework: Figure or still life drawing of Memory Accessory |
Week
8
|
11/16/13
|
Film Poster
|
In Class: Review MA Photoshoots +
drawings
Choose
another memory that you’d like to explore further through design. Begin work
on concepts for a film poster that communicates the essence of that memory
through text and image.
HW: Develop graphic and type
treatments in your sketchbook.
|
Week
9
|
11/23/13
|
Film Poster
|
In
Class: Review graphic and type treatments. Work in computer lab to
translate concept into a poster design.
HW: Finish film poster. Draft a
5-7 sentence project statement that describes your piece. Finish any
incomplete work.
|
/////////////////////////////////////////////////////// NO CLASS - THANKSGIVING //////////////////////////////////////////////////////
|
|||
Week
10
|
12/7/13
|
Formatting Work / Catch-up
|
In Class: Work in computer lab to
format your portfolio.
HW: Bring in all work for final
exhibition and completed portfolio on CD or flash drive.
|
Week
11
|
12/14/13
|
Portfolio Presentation / Open
Studio
|
In Class: Install final show. Present
finished portfolios for feedback. Final Exhibition + Party.
|
FACULTY BIO:
Jessica Cannon is an artist and faculty member at Parsons The New
School for Design. Selected exhibitions include: The Hudson Valley Center for
Contemporary Art, The Brooklyn Academy of Music, The James Hotel, and the US
State Department’s Arts for Embassies Program. Jessica received a B.A. in
Psychology and English from Tufts University and an M.F.A. in Fine Arts from
Parsons The New School for Design. Her work can be viewed online at: http://www.jescannon.com.
GRADING FOR CERTIFICATE STUDENTS
Certificate Evaluation
The
following evaluations apply to certificate students registered for the
noncredit option.
AP =
Approved
NA =
Not Approved
POLICIES
● RESPONSIBILITY
Students are responsible for
all assignments, even if they are absent.
Late assignments, failure to complete the homework assigned for class,
and lack of preparedness for in-class discussions and presentations will jeopardize
your successful completion of this course.
● PARTICIPATION
Class participation is an
essential part of class and includes: keeping up with assignments, contributing
meaningfully to class discussions, active participation in group work, and
coming to class regularly and on time.
● ATTENDANCE
Regular, on-time class
attendance is required. Students with
repeated absences and/or lateness for any reason risk a substantial negative
impact to their grade, including failure. Excessive or repeated instances of lateness
may be counted as absences. Students who have three or more absences may fail
the course at the discretion of the instructor.
● PLAGIARISM
This is NSU’s Statement on
Academic Integrity: Plagiarism and cheating of any kind in the course of
academic work will not be tolerated. Academic honesty includes accurate use of
quotations, as well as appropriate and explicit citation of sources in
instances of paraphrasing and describing ideas, or reporting on research
findings or any aspect of the work of others (including that of instructors and
other students). These standards of
academic honesty and citation of sources apply to all forms of academic work
(examinations, essays, theses, computer work, art and design work, oral
presentations, and other projects). […]
● STUDENT DISABILITY SERVICES
In keeping with the
University’s policy of providing equal access for students with disabilities,
any student with a disability who needs academic accommodations is welcome to
meet with me privately. All
conversations will be kept confidential.
Students requesting any accommodations will also need to meet with Tava
Kestenbaum in the office of Student Disability Services, who will conduct an
intake, and if appropriate, provide an academic accommodation notification
letter to you to bring to me. At that
point I will review the letter with you and discuss these accommodations in
relation to this course. Ms.
Kestenbaum’s office is located in the Graduate Faculty building at 65 Fifth
Avenue – Room #410. Her direct line is
(212) 229-5626. You may also access more
information through the University’s web site.
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